Dr. Richard Nordquist is professor emeritus of rhetoric and English at Georgia Southern University and the author of several university-level grammar and composition textbooks.
Updated on September 18, 2019In English grammar, syntactic ambiguity (also called structural ambiguity or grammatical ambiguity) is the presence of two or more possible meanings within a single sentence or sequence of words, as opposed to lexical ambiguity, which is the presence of two or more possible meanings within a single word. The intended meaning of a syntactically ambiguous phrase can generally—although not always—be determined by the context of its use.
Syntactic ambiguity generally results from poor word choice. If care is not used when selecting phrases that taken in a connotative rather than a denotative context may have more than one meaning, or if the sentences in which they're used are not properly constructed, the results can often be confusing for readers or listeners. Here are some examples:
In "Cognitive Psychology," authors M. Eysenck and M. Keane tell us that some syntactic ambiguity occurs at a "global level," meaning entire sentences can be open to two or more possible interpretations, citing the sentence, "They are cooking apples," as an example.
The ambiguity is whether the word "cooking" is being used as an adjective or a verb. If it's an adjective, "they" refers to the apples and "cooking" identifies the type of apples being discussed. If it's a verb, "they" refers to the people who are cooking the apples.
The authors go on to say that listeners can figure out which meaning is implied in spoken sentences "by using prosodic cues in the form of stress, intonation, and so on." The example they cite here is the ambiguous sentence: "The old men and women sat on the bench." The men are old, but are the women also old?
They explain that if the women sitting on the bench are not elderly, when the word "men" is spoken it will be relatively long in duration, while "the stressed syllable in 'women' will have a steep rise in speech contour." If the women on the bench are also old, these cues will not be present.
Syntactic ambiguity is not usually something one strives for in clear communication, however, it does have its uses. One of the most entertaining is when double meanings are applied for comedic purposes. Ignoring the accepted context of a phrase and embracing an alternative meaning often ends in a laugh.
"One morning, I shot an elephant in my pajamas. How he got in my pajamas I don't know."
—Groucho Marx
"A lady with a clipboard stopped me in the street the other day. She said, 'Can you spare a few minutes for cancer research?' I said, 'All right, but we're not going to get much done.'"
—English comedian Jimmy Carr
"It's a small world, but I wouldn't want to paint it."
—American comedian Steven Wright
The ambiguity here is lies within the phrase "small world." While the adage, "It's a small world" is generally accepted to have one of several accepted figurative meanings (what a coincidence; we're not so different from one another, etc.), Wright has chosen to take the phrase literally. Comparatively speaking, the world—as in the Earth—may not be as large as other planets, but it would still be a Herculean chore to paint it.
Nordquist, Richard. "Syntactic Ambiguity." ThoughtCo, Jun. 25, 2024, thoughtco.com/syntactic-ambiguity-grammar-1692179. Nordquist, Richard. (2024, June 25). Syntactic Ambiguity. Retrieved from https://www.thoughtco.com/syntactic-ambiguity-grammar-1692179 Nordquist, Richard. "Syntactic Ambiguity." ThoughtCo. https://www.thoughtco.com/syntactic-ambiguity-grammar-1692179 (accessed September 6, 2024).
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